Lying somewhere between a music video and an experimental, abstract film, Gosh is an assault on the senses. The juxtaposition of perfect geomatic shapes being animated in an imperfect shaky hand is an interesting idea and lends what may otherwise be quite a cold abstract piece character. This is paired well with a computerised dance track, accented with the occasional shout and exclamation of human voices which, like the animation, injects humanity into something artificial. As Gosh continues, it works its way towards a truly hypnotic conclusion giving the non-narrative piece a through line and wrapping it together as a single cohesive piece. As the title suggests, Molly Midori Huson’s punchy short packs a whole lot more surprise, energy, and excitement than your average abstract experimental piece.